What’s in a Name? Hunter’s Home

Some of you might be confused about the host site for the 2018 ALHFAM conference in Tahlequah, Oklahoma. Once the state of Oklahoma acquired the property in 1945, it became known as the George M. Murrell Home in the tradition of naming historical homes after the white men who once lived there. The property was transferred from the Oklahoma Department of Tourism and Recreation to the Oklahoma Historical Society (OHS) in 1991. Recently, thanks to the leadership of ALHFAM member and OHS regional director David Fowler, the home has been transitioning from a static historical home into an 1850s Cherokee plantation. Membership in ALHFAM and attendance at the conferences definitely influenced this transition. As part of the change, the OHS has restored the original family name to the property, Hunter’s Home. Though the name has changed the address is still Murrell Home Road, and the group serving as our financial partner for the conference is still the Friends of the Murrell Home.  These legal things take time to change!  Learn more about it in the OHS Extra posted here:

name change hunters home

 

 

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Great Entertainment is Awaiting You at ALHFAM 2018

We have a great line-up of entertainment for the 2018 ALHFAM conference, featuring local talent. Music during the opening reception will be provided by Preston Ware. In addition to his talents as a graphic artist with the Oklahoma Historical Society (he designed this year’s program.), Preston frequently fills in at events as an interpreter. He will be playing music from the American Civil War and earlier. Preston plays a variety of instruments, some of which are handmade from vintage cigar boxes.

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Just before the opening session with Cherokee Principal Chief Bill John Baker and OHS Executive Director Dr. Bob Blackburn, the Cherokee National Youth Choir will perform traditional songs in the Cherokee language. The choir was founded in 2000 as a way to keep Cherokee youth interested in and involved with Cherokee language and culture. Listen to the opening stanza of the USA National Anthem, the Star Spangled Banner, in Cherokee at https://www.youtube.com/watch?v=hgPuLau1y50.

While enjoying dinner in downtown Tahlequah you will be treated to the talents of Cherokee folk musician Kalyn Fay Barnoski. KalynFayKalyn is an up-and-coming singer-songwriter, pursuing art in many forms. According to this Cherokee musician, she is part White but can’t prove it. Listen to a sampling of her music and learn about her struggle to fit into two very different worlds at https://www.youtube.com/watch?v=y5O81UgpaI4.

 

Before the auction on Sunday night, sit and back enjoy food and drink as you listen to Cherokee National Treasure Robert Lewis, a native storyteller, author, and artist of Cherokee, Navajo, and Apache descent. Robert shares his culture through family stories and traditional stories. Robert works for the Cherokee Nation as a school and community specialist and conducts outreach classes and services in art, culture, and storytelling. He is also Adjunct Professor of Art at Northeastern State University, where he teaches classes in art and native crafts. Robert explains that “traditional stories are a voice for cultural identity of a particular tribe’s lineage and heritage, a vital link to preserving the rich oral traditions, and I find myself fortunate to be one of those storytellers retelling this knowledge and humor that has been passed down through time.” Learn more about Robert Lewis at https://www.youtube.com/watch?v=AuqnbuPkrlo.

Sunday morning at the Cherokee Heritage Center ALHFAMers will have the opportunity to participate in a 1860s-style sermon and enjoy the Grity family singing hymns in Cherokee. Learn more about the Grity family and listen to hymns in Cherokee at https://www.youtube.com/watch?v=PG1R0AMo09Y.

During the Presidential Banquet music will be performed by Tommy Wildcat. Tommy, a full-blood citizen of the Cherokee Nation, is a Cherokee cultural promoter, flutist, historical storyteller, lecturer, and traditionalist. In 2013 the Cherokee Nation honored Tommy by naming him a National Treasure for his flute music and river cane flute making. A self-taught composer of flute songs, Tommy learned his tribe’s traditional vocal songs from his father Tom W. Wildcat. Learn more about Tommy Wildcat and his music at https://www.youtube.com/watch?time_continue=27&v=Sz8Q0iMo4vs.

Before dinner at the Pawnee Bill Ranch and Museum, watch Pawnee dancing demonstrations. Then, while you enjoy your dinner, you will be treated to cowboy singer and poet Jim Garling. Boots tap, hands clap, and grins grow like new spring grass during a Jim Garling performance. An Oklahoma native, Garling’s influences include Gene Autry, Roy Rogers, the Sons of the Pioneers, and Bob Wills and the Texas Playboys, combining their sounds for just the right mix of old-style, acoustic western cowboy music and western swing. For a sampling of Jim’s music visit https://www.youtube.com/watch?v=u-95LeqsYYw.

And last but certainly not least are performers from the 30th Commemorative Pawnee Bill Wild West Show.WildWestShow2

 

 

 

 

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Pawnee Bill Ranch

color Gordon Lillie pawnee bill

The last stop on the final day of the 2018 ALHFAM conference will be the Pawnee Bill Ranch and Museum located on Blue Hawk Peak in Pawnee, Oklahoma. Gordon W. Lillie, known around the world as “Pawnee Bill,” exemplified The Wild West. Pawnee Bill produced one of the world’s three largest Wild West Shows.

Born in 1860 in Bloomington, Illinois, Lillie developed a fascination for the American West as he read dime novels. After their flour mill burned, his family moved to Kansas, where the Pawnee Indians were wintering during their removal from Nebraska to Indian Territory. Lillie befriended a Pawnee named Blue Hawk and traveled with him to the Pawnee reservation. He made his home with the Pawnee, learning to speak their language and becoming a teacher. In 1883 Lillie and a troupe of Pawnees were recruited by Buffalo Bill to perform across the nation in the newly-formed Buffalo Bill’s Wild West Show.

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In 1888 Lillie, now known as Pawnee Bill, started his own touring Wild West Show, and his wife May Lillie became a star in the show with her marksmanship and expert riding. In 1908, Pawnee Bill and Buffalo Bill merged their two shows forming Buffalo Bill’s Wild West and Pawnee Bill’s Great Far East—informally known as The Two Bill’s Show. The Two Bills spent five years entertaining audiences with a mix of realism and fantasy that was the Wild West Show. In 1913 Buffalo Bill took out a short-term loan from a Denver executive, who foreclosed on the show. The show was no more, but Pawnee Bill had earned a reputation as an international showman.

Lillie came back to live on Blue Hawk Peak with May in the Tudor-style Arts and Crafts home they built in 1910. Here, Pawnee Bill and May turned their attention to real estate, oil, banking, and film production in addition to ranching. Pawnee Bill was deeply involved in efforts to preserve the bison, which teetered on the verge of extinction. The Lillies had one of the largest privately-owned bison herds in the world.41220021

You will have the opportunity to tour their mansion, complete with the original furnishings and finishes, take a tour of the buffalo pasture, and wander through the museum. The annual game of town ball will be on the grounds, as will the plowing contest.

 

After a dinner of Cowboy Nachos consisting of delicious smoked BBQ brisket with fresh pico de gallo, beans, and Monterey Jack cheese over tortilla chips, you are in for a very special treat. Each year during the first weekend in June, which just happens to be the weekend following ALHFAM, the Oklahoma Historical Society and the Pawnee Bill Ranch Association produce a Wild West Show. Some members of this year’s show will be on hand in the arena to demonstrate a few of their acts for ALHFAM!

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Now Available: Printed Edition of the 2016 ALHFAM Conference Proceedings

For over 35 years, the Association for Living History, Farm and
Agricultural Museums (ALHFAM) has published the presentations and workshops presented at each Annual Conference in monograph form.

Until 2017, these Proceedings were published in hard copy and distributed by ALHFAM. Beginning with the 2016 Proceedings, the board made the decision to make the entire volume available to all ALHFAM members as a PDF via the ALHFAM website. If you are not a current ALHFAM member, please join us! Membership starts at $25/year for students and seniors; details are here: http://www.alhfam.org/join-us

The ALHFAM board understands that there are members who would prefer to have a hard copy of the Proceedings for themselves and that there would be non-members who could not access the PDF via the website and so would want to purchase one. They are available via Amazon for $20 plus shipping (member and non-member price). Volumes from 2012-2015 will be available for purchase soon.

Links to the Amazon page, the PDF, and the table of contents for the 2016 volume are on the ALHFAM website: http://www.alhfam.org/Proceedings.

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Will Rogers Birthplace Ranch

On the final day of the 2018 ALHFAM conference one of our final stops will be the Will Rogers Birthplace Ranch near Oologah, Oklahoma. As the name suggests, the ranch is the birthplace of famed cowboy humorist Will Rogers. However, well before Will Rogers was entertaining the country on stage, in newspapers, over the radio, or in movies, his father, Clem Rogers, had made a name for himself as a successful rancher, businessman, and politician, and this white Greek-Revival style ranch house was the center of the Rogers’ family life.

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Clement Vann Rogers was born in 1839 in Indian Territory. Even in his youth, Clem was known as stern, independent and hardworking. His father, Robert Rogers, died in 1840, leaving Clem and his mother, Sally Vann, to care for their small family farm. Clem attended a local Baptist mission school and later attended the Cherokee Male Seminary in Tahlequah for a few semesters. However, Clem was more interested in starting his own ranch than he was in going to school. In 1855, when he was sixteen, he was hired to help drive a herd of 500 longhorn steers from Indian Territory to Kansas City, and Clem Rogers quit school for good.

Clem set up a ranch and trading post along Rabb’s Creek. However, it wasn’t long before the Civil War broke out, and the homestead was abandoned when Clem enlisted as an officer with the 1st Cherokee Mounted Rifles volunteer regiment and his wife, Mary America Schrimsher Rogers, left to stay with her family. By the end of the Civil War, the ranch was gone. Clem set to work rebuilding his herd, and by 1870 the family was back on a ranch in a new location. Clem and his former slaves, Rabb and Huse, began building the ranch house that came to be known as the “White House on the Verdigris” in 1873. By the time Will Rogers was born in 1879, the Rogers’ Ranch was more than 60,000 acres with nearly 10,000 head of longhorn cattle.

In 1889 the Missouri Pacific Railway bisected the Rogers Ranch, creating east and west sections. The railroad also brought settlers. Though the land within the Cherokee Nation was collectively owned by the Cherokees and leased by individual tribal members, white settlers started showing up. This was the end of the Rogers Ranch as it once was. By the late 1890s, through the Curtis and Dawes Acts, the federal government would take the land collectively owned by the tribes, and individually allot land to tribal citizens. The Rogers Ranch was reduced to about 140 acres with Clem and Will Rogers’ allotments. Clem was able to buy land around him reaching nearly 2,000 acres, but the ranch would never be what it once was.

Clem Rogers eventually moved into Claremore, served as a vice president in the new First National Bank, opened a livery stable, and was a part owner of the Sequoyah Hotel. In 1898 he put his young son Will in charge of the Rogers’ Ranch. Will renamed the ranch the “Dog Iron,” after his cattle brand, but by 1902 Will had moved on. The ranch was operated by tenant farmers, and the house fell into disrepair. By the late 1920s, Will Rogers had become an international superstar. He bought his sister’s share of the ranch and put his nephew, Herb McSpadden, in charge. The McSpadden family revived the ranch and lived in the ranch house until 1960, when the house was divided into two pieces and moved to the top of the hill where it now sits to save it from the flood waters when the Army Corps of Engineers dammed up the Verdigris River to create Oologah Lake. Since that time, the Rogers’ ranch house has been open to the public as a historic site so visitors from all over the world can visit the birthplace of Will Rogers.

Contributed by Jacob Krumwiede, Assistant Director, Will Rogers Memorial Museums

 

 

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Hunter’s Home

Hunters HomeOne of the 2018 ALHFAM conference highlights will be a visit to George and Minerva Murrell’s 19th-century plantation mansion, “Hunter’s Home.” Sturdily constructed in Greek Revival style, the mansion is located in Park Hill, Oklahoma, just outside of Tahlequah.

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George Murrell

George Murrell, a white man born to a prominent Virginia family, moved to Tennessee in the early 1800s, where he met his future wife, Minerva, daughter of Cherokee treasurer Lewis Ross and niece of Chief John Ross. After their marriage, George and Minerva settled in Tennessee but were forced to relocate with the signing of the Indian Removal Act. The couple traveled with the rest of Minerva’s family to Park Hill, Cherokee Nation, Indian Territory, where they settled among the other wealthy families of the Nation. This area, rich in culture and society, came to be known as the Athens of Indian Territory.

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Minerva Ross Murrell

It was here that George built his wife a mansion, which they named “Hunter’s Home.” George claimed 800 acres in Park Hill and established a plantation that featured the mansion, a spring house built over a cold spring, a large walnut barn, smokehouse, grist mill, corn crib, and nine cabins that served as homes for the enslaved people who worked the plantation. Murrell also maintained a mercantile establishment on the property for the first part of the 1840s.

 

Minerva contracted malaria in 1850 and passed away from complications in 1855. This not only left George without his beloved wife, but it also left him without a connection to the Cherokee Nation. In 1856 George inherited “Tally Ho,” a sugar plantation in Bayou Goula, Louisiana, and in 1857 he married Minerva’s younger sister, Amanda.

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Amanda Ross Murrell

Once wed, George and Amanda began to winter in Louisiana and summer at “Hunter’s Home.” When the Civil War began, George went to Virginia to help raise a militia to fight for the Confederacy. Amanda followed a year later with their ten-month-old son, leaving her aunt Eliza and her cousin Eliza Jane to care for the property.

 

During the Civil War, the house was raided many times by both Union and Confederate troops. After the war the Murrells never returned to live in Indian Territory. Various Ross family members lived in the home over the years. When individual allotment of land was forced on the Cherokees, the house and some of the property were allotted to Lula Bruce, a family member. In 1912 Lula sold the property, and it passed out of the Ross family. The home fell into disrepair. In 1948 the State of Oklahoma purchased the property. The first curator hired for the site was Jennie Ross Cobb, who had lived in the home as a young girl in the 1890s and early 1900s. Jennie brought with her photographs she had taken while she lived there. Using those photographs, and with the help of other family members, Jennie began to gather many of the original furnishings, letters, and other materials that were in the home when the Murrells lived there.

Written by Jennifer Frazee, Hunter’s Home Interpreter

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ALHFAM 2018 Annual Meeting & Conference Fellowships

The application for fellowships to attend the 2018 ALHFAM Annual Meeting & Conference in Tahlequah, OK, June 1-5, 2018, is now available.

Fellowships are awarded to individual members who have not previously received a fellowship, and those who have not attended an ALHFAM annual conference are especially encouraged to apply.

Fellowships included full conference registration ($400) plus $300 towards travel or lodging expenses.

Applications are due on or before March 15, 2018, and recipients will be notified by April 1, 2018.

A link to the fellowship application can be found here: http://www.alhfam.org/2018-Annual-Conference.

If you have any questions, please contact Alisa Crawford, chair of the Fellowship Committee. Her contact information is on the application form.

We look forward to seeing you in June!

Martha Katz-Hyman
ALHFAM Communications Manager

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